Various Artists
"Kill Your Management"

Tracklist

  1. Razorwire - Liar
  2. Dying Day - The Conqueror
  3. Cicada - Blunt
  4. All Life Ends - Forgotten
  5. Matter - Underground
  6. Kane - Unspoken
  7. Easterpeople - Disconnected
  8. Projekt - Mesmerised
  9. 9XDead - Lucy
  10. Epitaph - Sanguine Ballad To A Rotting Angel
  11. Outcast - T.I.E.D
  12. Easterpeople - Breather
  13. Desolate - Chaos Season
  14. Evoke - The Ancient Enemy
  15. Cruel Humanity - Dragon- Mist
  16. Karab - Anger Within
  17. Razorwire - Alone

Released: 1999
Format: CD
Catalogue Number: PSYCOMP - 001
Cover artwork and graphic design by Greg Clarke

This was the first ever release from Psychophonic Records.

REVIEWS

All reviews © magazine of original publication

Terrorizer #86
Review by Ian Glasper

The subtitle says it all: ‘17 tracks of blistering unsigned rock and metal’... although ‘blistering’ might be pushing it a little too far for the trades description people! Actually, there are some great bands on here, but some real crap too, either too gothic or indie rock for me, but hey! Whilst I think that the album itself is flawed, the concept behind it is flawless. If there’s no scene for your band, go out there and find like-minded individuals and damn well create one for yourselves! This deserves your support, and it’s only £3.50 ppd.

Abaxis #9
Review by Freya Harrison

New Stoke-based rock/metal label Psychophonic Records has just released a new compilation entitled Kill Your Management. The CD features 17 tracks from 15 killer underground rock / metal bands. Besides two tracks from the fabulous metallers Razorwire, there's heavy, grungey black metal from Dying Day, Epitaph and Evoke, nu-metal from Matter and softer rock from Kane and Easterpeople, before Projekt bring an 80s industrial feel to the CD. Continuing the 80s theme is 9XDead's soft, melodic, goth S&M ballad Lucy while Cicada bring us more traditional metal with crushing guitars, lots of energy and definite potential. Support the underground and buy a copy today.

Loud Planet.co.uk
Review by Alan

This is a compilation of 15 unsigned hard rock and metal bands spanning 17 tracks, and it does a good job of touching upon just about every corner of the genre. Considering these tracks are all self financed recordings, the quality isn't bad either, there's a couple of ropey recordings, but hey, you don't have to be able to hear the guitarists bracelet jangling on his wrist for the track to be a valid one!

There are some real gems hidden away on this compilation that are definitely deserving of record company attention, these include: the CD opener 'Liar' by Razorwire, sounding not-unlike Megadeth at times; Dying Day contribute the guttural vocal-lined 'The Conqueror'; and Cicada's nu-metal stylings on the track 'Blunt' sounds impressive.

Deeper into the CD you will find the 'Cradle of Filth' sound-a-likes All Life Ends; Matter are reminiscent of Stuck Mojo; Kane are a straight-forward rock band; and Easterpeople, who contribute two tracks, add their blend of indie-rock.

From here we enter demo territory, but this doesn't detract from the quality of the songs; from the gothic and chilling Projekt; the dark eroticness of 9xDead; through to Epitaph's thrash-metal 'Sanguine Ballad To A Rotting Angel', with the opening riff sounding similar to that of Alice Cooper's 'I'm Eighteen'!

Outcast deliver an interesting mix of moods; Desolate combine punk and metal on 'Chaos Season' and sound occasionally like Suicidal Tendencies; more black metal is provided by, Evoke, Cruel Humanity and Karab, the latter is possibly the rawest sound achieved on a demo recording ever!

The CD closes in style with another track by Razorwire, with the Megadeth connection again undeniably apparent in the sound.

This CD showcases how strong and diverse the British unsigned metal scene really is, and at £3.50 inc. postage and packing (UK only I presume?) you can't go wrong. Check-out the Psychophonic Records website and grab a copy before these bands become huge and charge you the same price for each track! 4/5

Attitude #23
Review by Kevin Burgess

This is a compilation of demo tracks from Psychophonic Records, featuring primarily (all?) UK bands. As you would probably expect, the quality on the 17 tracks varies significantly, from the dull sounds and poor production of Karab, to the more complete sounds of Razorwire, All Life Ends, and Kane, which takes a more rock approach than the rest of the CD.

Karab's Anger Within really is pitiful, and I'm surprised it made it onto the CD. It's awful droning doom/death and has no merits at all. It sounds like it's recorded through a wee shitty 20 watt Peavy combo overdriven to the max - and believe me, I know how bad that sounds!!. Thankfully some of the tracks are actually rather good, such as Cicada's Blunt, Matter's Underground, All Life Ends' Forgotten, Razorwire's Liar, and Kane's Unspoken which is probably the best track on the CD. Even the cheesy Cruel Humanity with Dragon-mist is kind of interesting with its (over)use of flanged vocals and keyboards to fill out the sound.

In general it's actually a very good sampling of the UK underground, with very few really poor tracks and quite a few shining lights.

Verdict: If you like to discover new bands, you could do a lot worse.

Raw Nerve Promotions.co.uk
Review by Paul

Another compilation from the Kill Your Management series, and again the line up looks pretty decent before we start.
RAZORWIRE have a mix of thrash rock, with Megadeth moments, combining with old school indie rock, of the Kingmaker ilk, upbeat and rocking, with decent hooks to it, bit of a whining sounding vocal, but it works. DYING DAY have a death metal edge, with hints of a doomy stoner groove in there as well, bit mid-paced which sometimes loses the power and the attack but overall quite a strong sound. CICADA mass up Machine Head, Pantera and Prong, whereas ALL LIFE ENDS come along and beat out something a little more sinister with rasping vocals, and Swedish death inspired overtones, a little messy in parts, but a decent song. MATTER are already a favourite from their album, and although this song doesn't quite challenge the brain as much, it still has some fair nice screaming and oddball riffs going on. KANE mix power metal style theatrics with a indie / grunge rock feel, coming over a touch like Brody and Dream Theater jamming, but not as matured, and the EASTERPEOPLE are like a nice emo-punk rock band without the attitude. PROJEKT have evil, industrial techno rock overtones, mixing up the 80's Goth rock sound with an almost Godflesh drama. Some nice keyboards in this one half way through. 9XDEAD have an Psychedelic Furs gone darker feel, with a need for more of the female spoken voice to liven it up a bit.

EPITAPH start the second half with some more doom inspired dark metal, not quite death, or thrash, or anthing really, but there are some nice keyboards and disharmonies in the basslines, not too keen on the vocals, but they don't overpower the music. A good song. OUTCAST have a Machine Head that can't really play or write good songs feel to them, not grabbing me at all, and a better EASTERPEOPLE song this time round has some odd disjointed parts to it. DESOLATE just annoys for the most part with the horrible vocals, which is a shame as there are a few really good thrashy black metal style riffs and chord progressions going on, whereas EVOKE begin as they mean to go on with a huge sounding intro, very atmospheric, and when their proper death metal mania takes hold and batters in the face, they take the award for the best band on the CD. CRUEL HUMANITY continue the darker side of things, with more doom encrusted riffage, and a progressive rock style vocal full of effects, and KARAB throw together track sixteen, with its messy, horribly produced, but quite stompy introduced and grinding effort. Good snarls and catchy, almost Iron Monkey moment in the middle. RAZORWIRE end the CD with more thrashy rock, this time a lot better a song than the opener, with some gritty guitars and double pedals.

Highlight is definitely EVOKE, the stand out band by a long way, with some huge riffing and vocals, and sounding the most professional amongst this collection as well.